behind the scene pictures and the results

Happy End

DoP - Christian Berger, Director - Michael Haneke
Feature Film

The restaurant sequence of the film was recreated in a studio in Paris. For the sunlight we used 100 x 100cm DIFF2, blue  C-Reflectors . The skylight came from three 20m x 6m  light grid truss ...


no ad’s – just facts: gaffers on working with the CRLS

Introduction to the "just facts" videos

Popular Products

Ideal to test CRLS on and off set.

Kit includes:

25×25 Diff3&4
15×15 Diff1-4

2x C-Wheels
cleaning cloth

Pleased with the results?
Time to upgrade!

Special upgrade options for:
C-Kit Drive
C-Kit Move
Diff Kits

All in one – Safe and Protected

Including C-Reflectors:
50x50cm Diff 1-4
25x25cm Diff 1-4
15x15cm Diff 1-4
7x7cm Diff 1-4

4x C-Wheels
1x spare safety wedge
4x safeties

cleaning kit
extra light weight C-Kit Movebag


More surface, more output, more options: optimized for INT & EXT locations.

Kit includes:
2x C-Frames (double sided)
C-Reflectors 100x100cm Diff 1-4
4x  C-Protectors

Some nice details:
Round corners for indoor use.
Holes for ropes to handle the frame on top stick.
Lock lever friction system that doesn’t loose it’s friction.
Replaceable plastic corners and exchangeable reflectors.
Upgrade option: detachable yoke for easier transport in smaller vans.

Workshops & Fares



CRLS Hands-On / Istanbul

join us for a CRLS Hands-On in Istanbul with Jakob Ballinger!







CRLS HANDS-ON / Amsterdam

CRLS Hands-on in Amsterdam with Gaffer Jakob Ballinger and Zen Bloot!

BBP Light


 The Light Bridge

We grew up in the lighting industry and take pride in what we do. We always saw our job on set bridging between artistic needs and technical possibilities. We love challenges and supporting a vision. This mostly led to special constructions and custom solutions. So every project would have something that didn’t come off the shelf – something special. We thought that it would be great to be able share these special things with you. So here’s to light – and a bridge to share ! 

“Good gear always is a manifestation of an innovative thought, an individual expression”

Together with people who work with light we are in the search for new expressive ways and tools to use light and think about light in our digital age. The gear we develop emerges out of a collaborative process on and off set with DP’s, gaffers and friends.  We produce our gear in Europe with small, highly specialized companies because we believe in fair wages and highest quality. The Light Bridge develops customized high quality, cutting-edge gear for the motion picture industry.


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